(October 9, 1938 – September 5, 2009)
Richard Marshall Merkin was an American painter, illustrator and arts educator. Merkin’s fascination with the 1920s and 1930s defined his art and shaped his identity as a professional dandy. Many of his works depict the interwar years, painting narrative scenes in bright colors of jazz musicians, film stars, writers, and sports heroes. Merkin was as well known for his outré sense of clothing style and collections of vintage pornography (in particular Tijuana bibles) as he was for his painting and illustration work.
Merkin was born in Brooklyn, New York, in 1938, and held an undergraduate degree in fine art from Syracuse University in 1960, a Master’s Degree in art from Michigan State University in 1961, and Master of Fine Arts in painting from the Rhode Island School of Design (RISD) in 1963. In 1962–63 he received a Louis Comfort Tiffany Foundation Fellowship in Painting and, in 1975, the Richard and Hinda Rosenthal Foundation Award from the National Institute of Arts and Letters.
Merkin began teaching at RISD in 1963 and remained there for 42 years, during which time he built his reputation in New York. After he moved back to New York in 1967, he commuted every week to RISD to teach painting and drawing. At RISD, Merkin was loved and revered. One alum described him as “fearless beyond measure.” Some notable students Merkin taught at RISD include Chris Frantz and Tina Weymouth of the band Talking Heads and Martin Mull.
Before Merkin was well known as an artist, his newfound friend Peter Blake featured him on the cover of the Beatles‘ Sgt. Pepper’s Lonely Hearts Club Band (1967), on the top row between Fred Astaire and a ‘Vargas Girl‘. Four decades later, Merkin stated of his experience:
I went to England in 1966 … and I got to meet a lot of artists that I enormously admired: David Hockney, Peter Blake, R. B. Kitaj …
I spent that summer in London, and I became a close friend of Peter Blake … [S]ix months later, I got a photograph in the mail of the cover of Sgt. Pepper’s … The photograph of me comes from a very early exhibition catalogue of mine …
I sold the photograph … for [probably] $200. That photograph would be worth $10,000 now!
People say to me, “Didn’t you love the Beatles?” I’d say, “… I didn’t give a goddamn about the Beatles!” I loved Bill Evans, I love Bobby Short. Now I like [Sgt. Pepper’s], it’s grown on me over time.
Merkin was briefly featured in a party scene in the 1974 film The Great Gatsby.
Beginning in 1986, Merkin was a contributing editor for Vanity Fair. Starting in 1988, he was a regular contributor of illustrations to The New Yorker, as well as Harper’s and The New York Times‘ Sunday magazine. From 1988–1991, he wrote a monthly style column called “Merkin on Style” for Gentlemen’s Quarterly. Merkin also designed several album covers for the jazz record label Chiaroscuro Records for artists such as Mary Lou Williams, Ruby Braff, and Ellis Larkins.
Merkin died on September 5, 2009, at his home in Croton-on-Hudson, New York, after a long illness. He was 70 years old. He was survived by his wife Heather Merkin.
Merkin’s career at The New Yorker spanned twenty years, three covers, and nearly three hundred illustrations. Merkin is represented in the permanent collections of the Museum of Modern Art, The Smithsonian Institution, Brooklyn Museum and the Whitney Museum, among others.